{"id":31,"date":"2025-01-21T23:18:09","date_gmt":"2025-01-21T22:18:09","guid":{"rendered":"https:\/\/marlenazynger.pl\/?page_id=31"},"modified":"2026-06-16T12:30:59","modified_gmt":"2026-06-16T10:30:59","slug":"marlena-zynger","status":"publish","type":"page","link":"https:\/\/marlenazynger.pl\/","title":{"rendered":"Marlena Zynger"},"content":{"rendered":"\t\t
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MARLENA ZYNGER<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Marlena Zynger (w\u0142. Ewa Bartkowiak, z\u00a0domu Marczewska, ur. 25 grudnia 1972 roku w\u00a0Milan\u00f3wku) \u2013 poetka, dziennikarka, redaktorka i\u00a0animatorka kultury. Cz\u0142onkini Oddzia\u0142u Warszawskiego Zwi\u0105zku Literat\u00f3w Polskich (od\u00a02015 roku), cz\u0142onkini Zarz\u0105du OW ZLP (od 2023 roku), Stowarzyszenia Dziennikarzy Rzeczypospolitej Polskiej (od\u00a02019 roku), Sekcji Literackiej ZAiKS-u, S\u0142owia\u0144skiej Akademii Literatury (od 2016 roku) oraz Movimiento Poetas del Mundo. Wiceprezeska Stowarzyszenia Promocji Polskiej Tw\u00f3rczo\u015bci oraz redaktorka naczelna Kwartalnika Literacko-Kulturalnego \u201eLiryDram\u201d (od\u00a02013\u00a0roku, www.lirydram.pl). Pomys\u0142odawczyni projektu oraz kuratorka wystawy \u201eTwarze wsp\u00f3\u0142czesnych poet\u00f3w polskich\u201d.<\/p>

Autorka sze\u015bciu tom\u00f3w poetyckich: \u201eKa\u017cdemu wolno m\u00f3wi\u0107\u201d, \u201eCzas \u015bpiewu kobiety. Ods\u0142ona pierwsza\u201d, \u201eDo-tykanie \/ Tick-touching\u201d, \u201eDwa maty\u201d, \u201eTangensoida\u201d oraz \u201eO! Nie!\u201d, a\u00a0tak\u017ce licznych publikacji w\u00a0czasopismach literackich w\u00a0Polsce i\u00a0za granic\u0105. Jest r\u00f3wnie\u017c autork\u0105 scenariuszy do\u00a0spektakli i\u00a0widowisk poetyckich, m.in. \u201eCzas \u015bpiewu kobiety. Ods\u0142ona pierwsza\u201d, \u201e\u015ani mi si\u0119 sen\u201d, \u201ePowiedz mi.\u00a0Powiedz\u201d oraz \u201eZatrzymaj si\u0119\u201d.<\/p>

Jej wiersze zosta\u0142y prze\u0142o\u017cone na\u00a0j\u0119zyk angielski, rosyjski, bu\u0142garski i\u00a0serbski. Wydania ksi\u0105\u017ckowe jej poezji ukaza\u0142y si\u0119 m.in.\u00a0w\u00a0Sofii i\u00a0Belgradzie. Tw\u00f3rczo\u015b\u0107 Marleny Zynger prezentowana by\u0142a r\u00f3wnie\u017c w\u00a0formie koncert\u00f3w poetyckich i\u00a0wydarze\u0144 literackich, m.in. w\u00a0Tr\u00f3jkowym Studiu im. Agnieszki Osieckiej, Radiu Krak\u00f3w, Salonie Poezji w\u00a0\u0141azienkach Kr\u00f3lewskich w\u00a0Warszawie, Piwnicy pod Baranami w\u00a0Krakowie oraz\u00a0w\u00a0Ambasadzie Rzeczypospolitej Polskiej w\u00a0Londynie.<\/p>

W\u00a02013 roku zosta\u0142a laureatk\u0105 Z\u0142otego Pi\u00f3ra redakcji \u201ePoezja Dzisiaj\u201d, przyznanego z\u00a0okazji XIII\u00a0\u015awiatowego Dnia Poezji UNESCO.<\/p>

W\u00a02017 roku zosta\u0142a odznaczona przez Ministra Kultury i\u00a0Dziedzictwa Narodowego medalem \u201eZas\u0142u\u017cony dla Kultury Polskiej\u201d. W\u00a02019 roku otrzyma\u0142a Nagrod\u0119 Pracy Organicznej im. Marii Konopnickiej. W\u00a02020 roku uhonorowano j\u0105 nagrod\u0105 ekspresjonistyczn\u0105 FENIKS im. Tadeusza Mici\u0144skiego. W\u00a02021 roku otrzyma\u0142a Odznak\u0119 Honorow\u0105 Zwi\u0105zku Literat\u00f3w Polskich.<\/p>

W\u00a02023 roku zosta\u0142a laureatk\u0105 Nagrody Literackiej im. Jaros\u0142awa Iwaszkiewicza w\u00a0kategorii \u201ePopularyzacja literatury\u201d, przyznanej za szczeg\u00f3lne zas\u0142ugi w\u00a0upowszechnianiu literatury wsp\u00f3\u0142czesnej. Nagroda zosta\u0142a ufundowana przez Ministra Kultury i\u00a0Dziedzictwa Narodowego.<\/p>

W\u00a02024 roku otrzyma\u0142a Mi\u0119dzynarodow\u0105 Nagrod\u0119 Literack\u0105 \u201eKorkyra Melaina\u201d, przyznan\u0105 przez Zwi\u0105zek Pisarzy Chorwackich podczas 9. Mi\u0119dzynarodowego Spotkania Naukowo-Literackiego na\u00a0Kor\u010duli (\u201ePetar Kanaveli\u0107 i\u00a0Kor\u010dula\u201d).<\/p>

W\u00a02025 roku zosta\u0142a uhonorowana Br\u0105zowym Medalem \u201eZas\u0142u\u017cony Kulturze Gloria Artis\u201d w\u00a0dziedzinie literatury \u2013 jednym z\u00a0najwy\u017cszych polskich odznacze\u0144 przyznawanych za osi\u0105gni\u0119cia w\u00a0kulturze.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Marlena Zynger (Ewa Bartkowiak, n\u00e9e Marczewska; born on 25 December 1972 in Milan\u00f3wek, Poland) is a\u00a0Polish poet, journalist, editor, and cultural promoter. She is a\u00a0member of the Board of the Warsaw Branch of the Association of Polish Writers, the Society of Authors (ZAiKS), the Slavic Academy of Literature, and Movimiento Poetas del Mundo. She serves as Vice-President of the Association for the Promotion of Polish Creativity and is a\u00a0member of the Association of Journalists of the Republic of Poland.<\/p>

Since 2013, she has been Editor-in-Chief of the literary and cultural quarterly LiryDram (www.lirydram.pl). She is the originator and co-creator of the project Faces of Contemporary Polish Poets and curator of the exhibition Faces of Contemporary Polish Poets. First Episode.<\/p>

Zynger is the author of six poetry collections: Everybody Is Free to Talk (Ka\u017cdemu wolno m\u00f3wi\u0107), The Time the Woman Sings (Czas \u015bpiewu kobiety. Ods\u0142ona pierwsza), Tick-Touching (Do-tykanie), Two Checkmates (Dwa maty), Tangentoid (Tangensoida), and Oh! No! (O! Nie!). Her poems, essays, and literary works have appeared in numerous literary magazines and anthologies in Poland and abroad.<\/p>

She has also written scripts for theatrical performances and poetic productions, including The Time the Woman Sings, Tell Me. Tell Me (Powiedz mi. Powiedz), and Stop (Zatrzymaj si\u0119).<\/p>

Her poetry has been translated into English, Russian, Bulgarian (published in Sofia), and Serbian (published in Belgrade). Her work has been presented through poetry concerts and literary performances at prestigious venues, including the Agnieszka Osiecka Studio of Polish Radio Channel Three, Radio Krak\u00f3w, the Poetry Salon at the Royal \u0141azienki Museum in Warsaw, Piwnica pod Baranami in Krak\u00f3w, and the Embassy of the Republic of Poland in London.<\/p>

In 2013, she received the Golden Pen Award from the editorial board of Poetry Today (Poezja Dzisiaj) on the occasion of the 13th UNESCO World Poetry Day.<\/p>

In 2017, she was awarded the Medal for Merit to Culture by the Minister of Culture and National Heritage of Poland. In 2019, she received the Maria Konopnicka Organic Work Award. In 2020, she was honored with the FENIKS \u2013 Tadeusz Mici\u0144ski Expressionist Award. In 2021, she received the Honorary Badge of the Association of Polish Writers. In 2023, she was awarded the Jaros\u0142aw Iwaszkiewicz Award.<\/p>

In 2024, she received the International Literary Prize \u201cKorkyra Melaina\u201d, awarded by the Croatian Writers\u2019 Association during the 9th International Scientific and Literary Conference on Kor\u010dula (Petar Kanaveli\u0107 and Kor\u010dula).<\/p>

In 2025, she was awarded the Bronze Medal \u201cMeritorious for Culture Gloria Artis\u201d in the field of Literature, one of Poland\u2019s highest distinctions for achievements in culture.<\/p>

Through her literary, editorial, and cultural activities, Marlena Zynger has made a\u00a0significant contribution to the promotion of contemporary Polish literature both nationally and internationally.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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veridian.biuro@gmail.com<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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MARLENA ZYNGER Marlena Zynger (w\u0142. Ewa Bartkowiak, z\u00a0domu Marczewska, ur. 25 grudnia 1972 roku w\u00a0Milan\u00f3wku) \u2013 poetka, dziennikarka, redaktorka i\u00a0animatorka […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"disabled","ast-banner-title-visibility":"disabled","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"disabled","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-31","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/marlenazynger.pl\/index.php?rest_route=\/wp\/v2\/pages\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marlenazynger.pl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marlenazynger.pl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marlenazynger.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marlenazynger.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31"}],"version-history":[{"count":44,"href":"https:\/\/marlenazynger.pl\/index.php?rest_route=\/wp\/v2\/pages\/31\/revisions"}],"predecessor-version":[{"id":90,"href":"https:\/\/marlenazynger.pl\/index.php?rest_route=\/wp\/v2\/pages\/31\/revisions\/90"}],"wp:attachment":[{"href":"https:\/\/marlenazynger.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}